© Oliver Weber
Yesterday I finished an interview with the My Marrakesh editor Maryam Montague.
Oliver Weber. I had bumped into him on Twitter, that nebulous e-world where friends and followers are made in the blink of an eye. I was busy tweeting about my sundry doings. And there he was. I learned he was a photographer. Then I learned he had photographed Marrakech.
And so I clicked over and lost myself. In this pictures. Not just Marrakech but Havana, Moscow ... . I have always admired photographers of black and white images. So drunk with color myself, their world seems spare and pure - everything boiled down to an essence that the rest of us can only aspire to in some Velveteen Rabbit kind of way.
I wondered what made him tick. I asked and he answered.
Maryam: When and why did you become a photographer?
Oliver: I have been pursuing photography seriously since 2002. I am especially interested in street photography based on spontaneity and the recognition of situations and moods. You never know what will happen and so the art lies in grasping the right moment with foresight. Once the moment is over, it is lost forever. So everything is condensed for me in that one moment. For me, photography is a picture language which everyone can understand, all over the world. This makes it singular, valuable and inimitable. Perhaps that is why I love it so much.
Maryam: What kind of equipment do you use?
Oliver: Primarily analogue cameras, sometimes black-and-white but also color. The analogue process takes longer in comparison to digital photography but the process allows me greater objectivity in terms of my work.
Maryam: What surprised you most about Marrakech?
Oliver: The friendly people.
Maryam: What is your fondest memory of Marrakech?
Oliver: 10001 nights, Aladdin, Ali Baba and the 40 Thieves. Somehow it really does encompass all of those things.
The interview online: My Marrakesh
| < Prev | Next > |
|---|
